English, Not Subtitled
Nick Broomfield’s new documentary THE STONES & BRIAN JONES uncovers the true story and legacy of Brian Jones, the founder and creative genius of The Rolling Stones. As a schoolboy aged 14, Nick Broomfield met Brian Jones, by chance, on a train. Brian was at the height of his success, with the world at his feet, yet just six years later he would be dead. THE STONES & BRIAN JONES looks at the relationships and rivalries within The Rolling Stones in those formative years. It explores the iconoclastic freedom and exuberance of the 60s, a time of intergenerational conflict and sexual turmoil which reflects on where we are today.
Featuring revealing interviews with all the main players and unseen archive released for the first time, THE STONES & BRIAN JONES explores the creative musical genius of Jones, key to the success of the band, and uncovers how the founder of what became the greatest rock & roll band in the world was left behind in the shadows of history. Nick Broomfield says of his inspiration to make the film, “ The Rolling Stones were a major influence in my formative years. Brian and Mick were heroes of the day, their rebellion and breaking of the rules were a great inspiration to us. Making this film was an opportunity for me to look at that formative growing up time until the shock of Brian’s death in 1969, the darkest moment in the history of The Stones, when things changed.”
For decades among the foremost names in documentary (more recently for My Father and Me, Marianne and Leonard: Words of Love, Whitney: Can I Be Me, Tales of The Grim Sleeper), director Nick Broomfield studied at the National Film School under Professor Colin Young who had a great influence on his work, encouraging participant observation, as well as introducing him to filmmaker Joan Churchill. Together Nick and Joan made several films Juvenile Liaison, Tattooed Tears, Soldier Girls, Lily Tomlin as well as Aileen: Life and Death of a Serial Killer. Nick was originally influenced by the observational style of Fred Wiseman, Robert Leacock and Pennebaker, before moving on largely by accident to the more idiosyncratic style for which he is better known.